There’s an old dictum in screenwriting: start late and end early. The idea is to boil every scene down to its essentials. That spirit carries throughout the remarkable new film Maestro which Bradley Cooper directed, co-wrote and starred as the iconic composer and conductor Leonard Bernstein.
While the story stretches from 1943 to 1989, Cooper sketches Bernstein’s life with a series of vignettes, glimpses of success and frustration scattered over decades. Like music notes on a page, each builds to the next. The result is a cinematic symphony that is itself an ode to a complicated kind of love.
The film opens in a black box of
